In September 2019 I recorded a new solo double bass album - "Lys / Mørke" - at The Arctic Hideaway ( in Northern Norway. The album was released February 14th 2020 worldwide, except Germany, Austria and Switzerland where it will be released in September 2020.

On February 3rd 2020 there was an exclusive pre-release event / world premiere in Carnegie Hall, New York.

Excerpt from album Liner Notes:


Immediately upon arrival I could feel the profound stillness of the island welcoming me back. Nearly two years had passed since my week-long visit in October 2017. The Arctic Hideaway is a remarkable place situated on a small island of the Fleinvær archipelago outside Bodø in Northern Norway. Built in a way that makes it feel almost like part of the natural surroundings on the island, The Arctic Hideaway erases the physical boundaries between outside and inside. Being here offers a unique kind of quiet isolation in combination the raw force, and the beauty, of nature. Winds of the Northern Atlantic Ocean sweep restlessly across the island all year round, getting stronger in early autumn as can be clearly heard throughout the album. In addition to the rapidly transforming weather conditions, the changes of natural light on the island—both in short term cycles during the day and long term cycles during the year—adds both colour and depth to the experience of living with nature.

As with my first solo double bass album "Elvesang"—which was recorded in an old wooden church close to where I grew up—the location of the recording has been of great importance to the musical output also on "Lys / Mørke". During my stay on Fleinvær in 2017 I spent countless hours walking around the island, photographing and filming different both natural and human made phenomena. I recorded several free improvisations while watching these photos and videos, making a kind of improvised music videos. These audiovisual sketches served as an important inspiration for the music on "Lys / Mørke". The music, even though inspired by many of these ideas, is to a large extent freely improvised. The two title tracks for example, both of them three piece cycles, are all free improvisations recorded in succession as they appear on the album.


My solo debut album "Elvesang" was released January 19th 2018 to great reviews in both Norwegian and international press:

"Atmospheric solo bass"
(Giovanni Russonello, The New York Times. Critics pick)

"... an album of profound beauty"
(John Kelman,

"Vulnerable, naked and intense"
(Eivind Strømstad, Hamar Arbeiderblad)

"Einen überaus kreativen solist"
(Klaus Halama,

You can listen to a couple of samples from the album on this page. To buy the album, see below.


In my solo work I focus on exploring the unique possibilities to create different sounds and textures on the double bass. The double bass has a rich and dynamic colour palette - from small, light percussive sounds to deep, growling roars. Some of the sounds can be both very soft or loud acoustically, whilst others have a more limited dynamical potential. Therefore, both in playing techniques and also in different amplifying methods / microphone placements, I search for the most useful ways to "orchestrate" the double bass as a solo instrument in order to achieve my musical ambitions.

The music in my solo work is always improvised, with a greater or lesser degree of planning / pre-composing. I find great inspiration in exploring the sounds from both Norwegian and other kinds of traditional music such as the sound of the Japanese Shakuhachi flute. However, in my work I do not try to imitate or copy directly the original music itself. Working with, amongst other things, overtones and mulitphonics, I rather try to implement some of it´s timbral characteristics into my own music.


Malmö konserthus

3 years 10 months ago

This morning (27. mars 2019) I played a morning concert at 08:15 in the wonderful main concert hall i Malmö Konserthus. It must be one of the best - if not the best - rooms in which I have ever performed. To be able to fill the entire space alone with my double bass playing without any amplification, feeling the immediate, well-balanced response from this huge 1700 seat concert hall in even the softest of dynamics was a truly fantastic experience. Phillip Glass said upon performing here, that he would like to move to Malmö and play all his concerts in this room - having audiences travel here to listen to him. I would gladly join in! (both to listen, and to perform)

(The Malmö Konserthus morning concert also marked the start of my "Elvesang ECO tour spring 2019". More concerts to follow next week as I make my way around Europe by train. Check out my travel blog at for updates as I move along).

Solo concerts at Molde International Jazz Festival & Nasjonal Jazzscene in Oslo just announced!

3 years 11 months ago

Looking very much forward to performing solo at these two great venues: Nasjonal Jazzscene in Oslo (April 25th - double bill with Tord Gustavsen solo) & Molde International Jazzfestival (July 17th) - opening a new venue for acoustic concerts at the festival.

Elvesang reviewed in Norwegian magazine Jazznytt

4 years 2 months ago

Excerpt: «The pieces on the album are beautiful, the sense of timing and drama is strong, and Hole´s sound - with lasersight intonation and a haze of overtones - is gorgeous»

Elvesang reviewed in JazzJapan & LIRA

4 years 8 months ago

Two nice reviews of Elvesang, one from Japan and one from Sweden.


BUY Elvesang - CD / Vinyl / Digital

4 years 10 months ago

CD / Vinyl:
High-quality download in MP3, FLAC and more included. Here you can also pre-order the new trio album "Encounters" (release date April 27th)
(iTunes, Spotify, etc)

Review of "Vindu" from The Vigeland Museum in German magazine Bonedo

4 years 10 months ago

"Vindu" from the Vigeland concert featured on BassTheWorld .com - 10K + views in one week!

4 years 10 months ago

Norwegian bassist Sigurd Hole takes you on an incredibly sound journey, playing his composition "Vindu".
Watch Part 1-5 on his YouTube channel:

Elvesang reviewed by Eyal Hareuveni!

4 years 10 months ago

"Beautiful and masterful" - Elvesang warmly and thoroughly reviewed by Eyal Hareuveni for Salt peanuts.

Live at The Vigeland Museum, part 1/6

4 years 10 months ago

Elvesang reviewed by John Kelman

4 years 11 months ago

" album of profound beauty" 4/5
In-depth review of Elvesang by John Kelman, written for Excerpt below, read the whole review at

«A wooden church may, for some, be far from an ideal recording facility, but it was clearly the perfect place for Hole to shape Elvesang. The intrusion of outside sounds, ranging from thunder and bird sounds to gentle rain on the roof, only add to the album's overall nature-driven ambiance, made all the more so by the room's lovely natural reverb. It may be a bold move for Hole to make his first release under his own name a solo bass record, but even when it reaches beyond melody to more adventurous texture and color, Elvesang is an album of profound beauty and, more often than not, calming quietude. A recording that trades nuanced, delicate evocations for the merely obvious, Elvesang is all the more impressive—and captivating—for it.»